Depth Of Field…

Simply put, Depth-Of-Field is how much of a photograph is in sharp focus from front to back. Professional photographers understand and use Depth Of Field, while most amateurs don’t. professionals know that they can’t leave this critical element to chance, or to the programmed whims of an automatic camera ! Landscapes Masters, Porter, Weston and Adams always tried to get everything in focus throughout…

An Inevitable Photograph…

To those of you who know Ansel Adams, you may know these words belong to him : while driving to Sante Fe, he glanced to his left and saw a scenery he described as « An Inevitable Photograph… » but, while it seemed inevitable to him, how many photographers would have realized the potential of the scene ? Our challenge, as Photographers, is to be able to…

Bords de Loire…

I keep on thinking Photographers have to be technically proficient even if editing softwares can help in some ways  ! Now that most Photographers shoot in digital, it’s much easier to fake the technical side. But you either have the ability to compose great images or you don’t ! Editing Softwares can enhance a good image but it won’t create one. Once more, what…

Frisking the Viewfinder…

As a Photographer, You must examine your image carefully through the viewfinder in order to preview what the camera will record. You must be sensitive to any elements that will not be recorded as the eye perceives them. Then you can consider wether or not they need to be corrected and, if they do, how to go about doing it ! It’s impossible to…

Colour and Composition…

A Photographer controls color by both selection and technique. For example, you can add, change or eliminate colors by altering your camera position, by varying the time of the day, by extending or reducing the duration of exposure, and by using filters or computer or darkroom manipulation. You can diffuse, mix, or soften colors by throwing them out of focus and/or by using a…

Spring… Tranquil Violence !

The Air through which we shoot has a profound impact on the look and mood of an image.  try to leave your camera on the very exact same spot, at the same time of day with identical focal-length settings, and you’ll get two entirely different photographs depending on wether tha air was hazy, misty or crystal clear. If you follow my work, you know…

Objectivity and Creativity…

In the making of any Photograph, the Photographer intervenes on numerous occasions to make subjective decisions. The camera is a conduit for the image, a connection between « External Reality » and the photosites, the sensor. In a process controlled by the Photographer’s mind and mediated by the technical limitations of the equipment at hand. A photograph is objective only as far as the light entering…

Make Truth Your Own Truth…

Let’s be cautious ! Whilst the Camera cannot lie, « Tt  cannot help being selective ! »  No matter how objective the image appears to be we are always as selective with our interpretations of photographs as we are with the choice of view. When I made this image, I had in mind to convey this dreamy mood as a stylistic conceit. A photograph is –…

Workshop : The Way Your Camera Sees…

Great Photographers have always talked about how they see and how they train themselves to see like the camera sees ! It’s not as easy as it sounds ! The more attuned you are to how your camera responds to these fundamental elements, the better a Photographer you will be ! As a Creative guy, you should be able to « preview » the image you…

Utilisation de Lightroom 4 et de Photoshop… & Sneak Preview Lightroom 5…

Je vous propose un Workshop dédié à l’optimisation de votre workflow depuis la phase d’acquisition de vos images jusqu’à la finalisation. L’ensemble des modules qui constituent Lightroom 4 seront étudiés en détail. Un sneak preview de Lightroom 5 est également proposé. L’accent sera porté sur l’utilisation jointe de Lightroom et de Photoshop avec, notamment la mise en phase des espaces colorimétriques de chacune des…